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Showing posts with label Music ebooks. Show all posts
Showing posts with label Music ebooks. Show all posts

01 March, 2020

This Is Our Music: Free Jazz, the Sixties, and American Culture

This Is Our Music: Free Jazz, the Sixties, and American Culture

This Is Our Music: Free Jazz, the Sixties, and American Culture
"This Is Our Music takes us back to that moment between the fifties and the sixties when a new music called free jazz took root in the coffeehouses and nightclubs of New York City, Chicago, and Los Angeles. In this rich and evocative book, Iain Anderson meets the challenge posed by the music and follows its lead into the complex political realignments, shifting racial dynamics, and redefinition of art and entertainment that characterized the subsequent decade."—John Szwed, author of So What: The Life of Miles Davis.
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Eminent Hipsters

Eminent Hipsters

Eminent Hipsters
A witty, candid, sharply written memoir by the cofounder of Steely Dan
In his entertaining debut as an author, Donald Fagen—musician, songwriter, and cofounder of Steely Dan—reveals the cultural figures and currents that shaped his artistic sensibility, as well as offering a look at his college days and a hilarious account of life on the road. Fagen presents the “eminent hipsters” who spoke to him as he was growing up in a bland New Jersey suburb in the early 1960s; his colorful, mind-expanding years at Bard College, where he first met his musical partner Walter Becker; and the agonies and ecstasies of a recent cross-country tour with Michael McDonald and Boz Scaggs. Acclaimed for his literate lyrics and complex arrangements as a musician, Fagen here proves himself a sophisticated writer with his own distinctive voice.

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Music Law : How to Run Your Band's Business, 8th Edition

Music Law : How to Run Your Band's Business, 8th Edition











" Author Richard Stim presents musicians, music industry professionals working in a wide variety of contexts, and general interest readers with an examination of the business and legal aspects of collaborative music recording and performance. The author has organized the chapters that make up the main body of his text in eighteen parts devoted to the business of being a band, band partnerships, management, attorneys, band equipment, and a wide variety of other related subjects. The author is a musician and practicing intellectual property attorney." Eithne O'Leyne, Editor Ringgold, Inc. ProtoView

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Conducting the Brahms Symphonies

Conducting the Brahms Symphonies

Conducting the Brahms Symphonies
How did the four symphonies of Brahms become established as the great works they are recognized as today? Until the late 1920s, for instance, they were rarely recorded in toto, unlike the symphonies of Beethoven, which had been put on disc complete as early as 1910?
In this amazing and comprehensive work, Christopher Dyment traces the history of how Brahms symphonies were interpreted by their earliest podium advocates, and how these peformances were regarded by critics and other listeners, including the composer himself. The story upends conventional wisdom about the critical reception of these symphonies, demonstrating in painstaking and comprehensive detail how an authentic performance tradition (a dangerous word, but in Dyment's work for once a trustworthy one) emerged from interpreters close to the composer himself, such as Fritz Steinbach in Meiningen, and by conductors such as Frtiz Busch and Arturo Toscanini, whose insight into the music matched Steinbach's. Dyment also considers conductors such as Hans von Bulow and Hans Richter, whose interpretations moved in different directions, as well as later performers who were influenced by all of these pioneers.
Containing a wealth of new information and a keen analysis of historical and musical matters, Dyment's work is an essential addition to any music lover's collection, and a mandatory acquisition for music and performance libraries. Sweeping aside received wisdom, Dyment has provided the definitive version of how Brahms symphonies became a part of the core of the musical canon.

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